Brain-Behavior and Nature-Nurture: Two Interacting Scientific Debates E

Brain-Behavior and Nature-Nurture: Two Interacting Scientific Debates Whether there is more behind human behavior than can be explained solely by neural phenomena has been the subject of much time-worn scientific and philosophical debate. In regards to this question, two primary classes of alternative explanations come to mind: the human soul and the environment. The former of these involves a possible internal, individualistic force guiding behavior beyond the guides provided by the brain; many feel that the topic of the human soul is best left in the realm of the philosophical. Environmental influences on behavior, however, are quite pertinent to scientific investigations into the brain/behavior dichotomy. Whether and to what extent one’s environment effects one’s behavior, personality, even destiny is embodied by the widely publicized and highly politicized nature-nurture debate. Generally, those factors thought to come from nature are those that are inherited, and those thought to be nurture-bred are inculturated. It seems, then, that a discussion of neural control of behavior necessarily involves this nature-nurture question; the interplay between inherited brain structure and inculturated experience offers insight into the roots of behavior. Vitalists and reductionists, empiricists and situationists, geneticists and sociologists all have something different to say about the degree to which the human genome specifies human traits. Many of these traits are behavioral, thus, these people also have much to say about the role of the brain in guiding behavior. It is estimated that sixty percent of human genes are dedicated to neurological development (5). This is an immense amount of genetic material, and, particularly du... ... still be subject to biased interpretations of which we are capable as human-mammals. â€Å"Our concepts of reality will always be shaped by our genetically-inherited mental models† (3). Subjecting myself to biased interpretations, though, I feel that an individual drawing breath each day in the context of many, nestled environments much akin to the Bronfenbrenner ecological systems theory **, behaves ultimately because of the brain and the genes from which it originates. WWW Sources 1) Compton’s Encyclopedia http://comptons2.aol.com/encyclopedia/ARTICLES/03888_html 2) The Eye of the Frog http://www.objana.com/frog/home.html 3) Sociobiology page http://res3.geocities.com/Athens/Acropolis/3976/socio.html 4) Of Mice and Men http://www.informinc.co.uk/LM/LM73/LM73_Futures.html 5)Pro-nurture http://www.michiganinbrief.org/text/issues/issue-23.htm

Art History Renaissance Essay

The making of a work of art is much like the story of Creation in the Bible. However, this divine ability was not fully realized until Michelangelo described the creative experience as â€Å"Liberating the figure from the marble that imprisons it†. Perhaps that is why the concept of creativity was once reserved by God, as he could give material form to an idea. 1) The interest of the artists in Italy in rational and systematic order, in the revival of classical vocabulary and in humanist naturalism signaled the commencement of the renaissance in Italy. Discuss using two works from this period. When the French invaded northern Italy and sacked Milan eighteen years later Florence would come under the sway of the Hapsburg dynasty. During the high renaissance in Italy could be considered the age of great accomplishments in the fields of art which as occurred in the late 15th century and the first half of the 16th century. During this age is politically a period of tension and turbulence, wherein foreign invasions and internal conflicts produced upheaval and instability. Under the sway of Hapsburg but it no longer provided the primary impetus for creative activity. In the mean time that Rome was under the control of ambitious Popes succeeded Florence as the artistic center of Italy. For the patronage of the arts, the greatest contribution was probably made by Julius. His successor Leo X (1513-21) continued the patronage of major painters, sculptors and architects, but the artistic achievements of the period were not matched by political success. In the burial place of Julius II, it should be perceived the Medici tombs in the scenery which their designer initially intended for them, much has been written on the importance of the four recumbent figures two-faced below seated figures of the Dukes; the woman beneath Duke Giuliano is imaginary to be symbolical at night. 2) Evolution in artistic style is sometimes characterized as including a `classical peak` or high point of perfection, followed by a dramatic and reactionary period. Mannerist art had a reactionary nature to the ideals of the high renaissance. Discuss with reference to an artists and specific works. The unique format for the ornamentation of the enormous ceiling of Michael Angelo of the Sistine chapel demand to only have compromise, a sequence of paintings of Apostles of colossal measurement within the lunettes on top of the windows, and fillings in the rest of the ceiling with an attractive decoration. The Pietas subject matter shows Christ in is mother’s knee, just after he is taken from the cross. But the two figures characteristically appeared discomfited in northern art, with the body of a full grown man lying laboriously transversely the lap of much smaller woman. Michelangelo initially projected for the portion to be located inside a low place, and therefore, he refined to a smooth finish all the surfaces that would have been perceptible and gave scrupulous heed to the material. This towering amount of finish is not often present in Michelangelo’s vocation, and so most likely reflects the tastes of the supporter. Leonardo Davinci’s stylistic innovations are even extra obvious in The Last Supper, which represented a customary subject in a completely original means. In fifteenth-century Italy artist made increasing use of pigments applied a secco. But around 1500 there was a revival of pure fresco technique, which came to be regarded by art theorist as the ideal means for painting walls and ceilings, and also as the one that revealed artistic proficiency most clearly. In many, perhaps most drawings and paintings apart from those produced in Italy between the fifteenth and twentieth centuries, differences in the size of figures signify their relative importance- a deity and worshippers, a ruler and courtiers, sometimes a man and a woman-rather than their physical distance from one another and the foreground. Cited Literature Hugh, Honour. (2005). A World History of Art. Laurence King Publishing Art.

Bullying At Work Is A Mental Or Physical Menace - 974 Words

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